chickenfeet

That is, I have finally knocked off a review that has been hanging over me for months, probably needs a little more fiddling with but it was very much I had got to the stage of 'just sit down and write the bloody thing' and did it. It's a book I'm fairly lukewarm about, doing fairly useful work with what it does but it feels a bit all over the place and hard to get a proper grip on.

Also, yay, am feeling rather less washed out than the past few days following vaxx.

We have appointment to see solicitor about our Testamentary Dispositions next week - finally found one in the fairly close vicinity through the Law Society Find a Solicitor facility.

Have just been getting Documentation from the local authority who are actually paying me to go and talk about johnnies in their collections in just under two months, so I guess that's sort of the next thing on my agenda.

Though am gradually making my way through ms by deceased colleague, though there is not major urgency on this as my collaborator is still in academic life and overwhelmed with the responsibilities of that at present.

‘Women want to experience pleasure’: how the female gaze caught the attention of film, TV and fiction

I will slightly concede that maybe women have not had quite the opportunities in film and TV that they have had for centuries in written fiction, though even so I suspect with a little thought we could come up with instances where female gaze was significant in creating popularity even if it hadn't been part of the purpose in making.

But as ever, the instances about fiction are limited in their genre range (OMG there is a long history of ROMANCE) and appear never to have read anything that was not on the radar approximately five minutes ago.

E.g.

[T]he genre has altered the way female worlds are received. “I wasn’t the only one who thought that if you were female in the fantasy world it wasn’t going to end well: if you fall in love it’s going to be used against you, if you have any sort of power you’re going to die or become the mad queen,” she says. “You never really saw female characters represented in any way where you felt safe, thinking they’re going to be here in the end and not have to give up their sense of identity to do so. People, almost, have been waiting for these books to come.”

Okay, will concede that I am currently reading The Books of Earthsea and I occasionally look up from Ursula Le Guin's commentaries and thinking a very strong case can be made that she had never, at least when she was writing those works, encountered anything by Naomi Mitchison. Which would blow out of the water certain of her contentions about female protagonising....

But leaving my much-neglected and overlooked precious aside, I scan my shelves for the works I was scooping up during the 70s-80s-90s, ahem.

And no mention of fanfic.... dearie me. Did not do the research?

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On another topic, there was an interview with Will Self in The Observer which is paywalled, so not linking. But in it he moans that after his divorce and ex-wife claiming mental abuse, ALL their friends cut him off, even his oldest besties: which makes me rather wonder whether a) they had actually observed things going on or b) they were fed up with him whingeing on about it.